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Monday, March 1, 2010

Brainwashing-Out Oppression

Author: Jared Ball
Title: Hip-Hop, Mass Media and 21st Century Colonization
Hip-Hop and the Corporate Function of Colonization

my wordle

I understand that he is arguing here that all hip hop and mass media is a fabrication becasue it has been dumbed down, censored, and manipulated until we loose the messages of oppressiona and retain only "good beats" and "simplistic story lines"
"there can be no popular representation of the colonized that does not reflect a justification or omission of their colonized status". becasue the white people that buy popular culture don;t want to think about it
Even though ip-hop is popular in the black community, it is not a postive force because it does nothing to improve education or SES, just maintines the status quo.
"the lyrics comittee censor the political, not linguistic messages"
just think about hwo much swaering you hear, but you never head how education is poor in specific racialized areas or how the arrest rate is entirely unproportional, when we know such artists exist.
"encourage a behavior among the colonized which produces self-inflicted wounds that in reality result from externally-based oppression" divide and conquer method to maintaining control: set up a hirearchy and let the people go after themselves, its less work for the people at the top, lasts longer, and is more effective
"success" depends on adherance to a set of values defined by popular culture, white, straight, christian, able bodied, high class culture.


What i dont't understand:

minority elite=white men- i didnt understnad this reference. people with power in a society by definition are not a minority in an oppressive way.

"better beats" argument as opposed to music industry focusing on inspirational/meaningful/real words that depict the real reality?


connection:
- Randy on American Idol- as the seasons go on his style gets more and more prep- and more and more "white". i would argue that it helps his image to sound slighly urban but to conform to every other white stereotype thats exists

-hip hop is not much different from poetry- it is poetry, which can be used constructivly or not. but like slam poets, the more mainstream the poet, the more mainstream the jargon they preach. someone like andrea gibson is just small enough that while she get national attention she had to start as grassroots and hence is comfortable speaking out, even and uchually against the goverment and whats media's implications are for society

-heres kats:

2 comments:

FreeMix Radio said...

Greetings.. I happened across the use of some of my writing for discussion and thought i'd help clarify a few things that you raise as issues you don't understand.

1. Elite white men.. most of the people in this country or in the world are women, poor and people of color. Therefore, and i am not the first to point this out, the only real minority are rich white men. That is by far the smallest grouping of people in this country or anywhere on the planet. It is also they who have historically set the definitions of race and who have determined the inequality in wealth so as to keep themselves exclusive.

2. Basically three corporations determine - through payola and contract or copyright control - all the popular music we hear (these are Universal Music Group, Warner Music Group and Sony). They do not select these songs based on beat quality. Most of the best producers are never heard on radio (JDilla, Pete Rock, DJ Premier, Kev Brown, The Unknown, and so on...)

I hope this helps.

Jared Ball
jared.ball@morgan.edu

Eva said...

that does clear things up.
thank you!

my friend Marco McWilliams suggested the readings for this week, they were very enlightning :)